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Elizabeth Giardina

“Portrait of Curiosity” illuminates the passions and intimate musings of one fabulous woman of substance. In our seventeenth instalment, we talk to NYC-based Creative Director Elizabeth Giardina.

For NYC-based creative director, Elizabeth Giardina, an unwavering gratitude for life’s simplest, yet most valuable pleasures – her family, her home, travel – radiates through her creative output. After almost two decades spent designing for brands Proenza Schouler, Derek Lam 10 Crosby and Halston, she’s turned her hand to sustainability focussed, Another Tomorrow. Creating elevated essentials designed to accentuate the art of everyday dressing, her collections begin with an appreciation of material, movement and proportion, leading to garments that are not only timelessly flattering, but offer a sustainable and ethical vision for the future.

01 I WAS ORIGINALLY DRAWN TO DESIGN BY

American, female choreographers and dancers – specifically Katherine Dunham, Martha Graham and Isadora Duncan. I danced growing up and when I studied these women, I found striking how they used costumes to push their art further. My interest in clothing, the body and the interaction between the two all comes from dance.

*Pictured here: the dancer & choreographer Katherine Dunham.



02 A TECHNIQUE OR CRAFT THAT FASCINATES ME

I will never get enough of hand sewing – hand-rolled scarves, hand-applied trims (buttons, snaps etc), hand embroidery, mending, etc. What can be created and also repaired with a needle and thread is truly remarkable.

03 ANOTHER TOMORROW APPEALED TO ME PERSONALLY AS A BRAND BECAUSE

the brand aligns with my belief in sustainable design, treating clothing as an asset and making clothing out of high-quality materials and in factories with excellent working conditions.

*Pictured here: Another Tomorrow's latest range.



04 SUSTAINABILITY SHOULD BE AT THE CORE OF EVERYTHING WE DO BECAUSE

if we don’t live and create from a mindset of sustainability we will not survive. We should strive to own less, use less and buy the highest quality materials that we can or buy second-hand. We need to push manufacturers in every sector to do better. Anyone that is in the business of designing and making should be focused on sustainability.

05 MY STYLE PHILOSOPHY IS

Personally, I love style when it is slightly al dente: perfectly cooked and never overdone. I like when clothing is a bit minimal but never basic – styled so the entire look seems effortless. Fashion for me is an expression of self-love. I find joy and inspiration in admiring people who put care and love into their appearance, regardless of whether it aligns with my personal taste.



06 AN ARTWORK I WISH I HAD CREATED

I have always been in awe of what Christo and Jeanne-Claude created - both by the monumental quality of their work and their lifelong creative collaboration.

*Pictured here: Christo & Jeanne Claude; "Miami, surrounded islands", c. 1980

07 SOMETHING I DISCOVERED RECENTLY

The show Home on Apple TV. I am fascinated by the principles and design philosophies of innovative homes, especially thinking of homes as not just private but potentially communal spaces. I am in the process of designing a home and I think a lot about what home means for my family. I want my family to grow up the same way I did: where guests are always welcome and community is encouraged.



08 I WAS MOST RECENTLY INSPIRED BY

My son Jasper: it is really inspiring to watch a little human put outfits together without knowledge of any societal rules. He pays a lot of attention to how fabrics feel on his body and the colours he likes. It is truly inspiring to observe his creative decision-making day to day. Becoming a mother reignited my joy of pure creativity.

ELIZABETH'S FAVOURITE THINGS

01 Theaster Gates: the one artist whose work she'd love to buy.

02 The "L'art est un fruit" earrings in sterling silver.

03 "Sincerely, Tommy": the independent business she adores.

04 The restaurant "Otway" in Brooklyn: one of her favourites.

05 Jasper John's "Man/Mirror" at the Whitney Museum: the last exhibition that had a profound impact on her work.

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